Two new exhibitions celebrating nearly 200 years of American art from the early 19th century to present day are open to the public at Mint Museum Uptown for the next three months.
“The Mint is pleased to continue offering Charlotte audiences a range of exhibitions celebrating art that is beautiful, inspiring, and historically significant,” said Dr. Kathleen V. Jameson, President & CEO of the Mint. “We look forward to our visitors engaging with these works and being transformed in ways that transcend the walls of our museum.”
The Weir Family, 1820-1920: Expanding the Traditions of American Art
The Weir Family, 1820-1920: Expanding the Traditions of American Art, organized by the Brigham Young University Museum of Art and on view through January 20, 2013, is the first major exhibition to collectively examine the paintings of American artists Robert Walter Weir and his two sons, John Ferguson Weir and Julian Alden Weir, and in doing so it traces the trajectory of American art across the 19th century and into the 20th.
“I am delighted to be able to bring such an important exhibition to the Mint,” said Jonathan Stuhlman, the Mint’s curator of American art. “This exhibition traces almost the entire history of American painting in the nineteenth century through the lens of a single family, and does so with beautifully-executed paintings containing engaging subject matter.”
Robert Weir was one of the first American artists to study in Italy, working there from 1824 until 1827. Upon his return to America, he became an associate at the recently-founded National Academy in New York in 1829 and, a few years later, an instructor at the United States Military Academy in West Point. He was renowned for his talent as a portraitist and a history painter and painted one of the murals in the Capitol rotunda in Washington, D.C. Robert’s first son, John, trained with his father and in Europe. He then taught at Yale University for 44 years and established the first academic art program at a university in the United States. John’s younger brother, Julian, was educated at the École des Beaux Arts in Paris from 1873 until 1877 and became one of the country’s leading Impressionist artists.
Mint members have the opportunity to preview the exhibition at a members-only First Look Friday on October 19 beginning at 6:30 p.m. The Mint will offer a number of lectures and other special events during the run of the exhibition, beginning with a Sunday Fun Day this Sunday, October 21 from 1-4 p.m. with activities celebrating the exhibition (FREE for children under 18; half-price admission for adults). On Tuesday October 30, David Park Curry, the Senior Curator of Decorative Arts, American painting and Sculpture at the Baltimore Art Museums, will visit for a FREE discussion of the life and career of James McNeill Whistler, who studied under Robert Walter Weir. A curator’s tour with Stuhlman will be November 14 at noon and is free after museum admission. A FREE concert featuring local handbell choirs, celebrating the 1866 painting The Christmas Bell by John Ferguson Weir and other holiday-themed works in the exhibition, will be December 18. And a FREE ArtFusion event with a lecture and other activities will be held January 15. For more information on these and other events, visit www.mintmuseum.org/happenings.
The Weir Family, 1820-1920: Expanding the Traditions of American Art is organized by Weir expert Marian Wardle for the Brigham Young University Museum of Art. It is made possible through the generous support of the National Endowment for the Arts and foundation sponsor, the Henry Luce Foundation. Additional assistance has been provided by Jack and Mary Lois Wheatley and the Milton A. and Gloria G. Barlow Foundation. Presentation in Charlotte of The Weir Family is generously made possible by McColl Brothers Lockwood and McColl Partners, and the Mint Museum Auxiliary. A fully-illustrated hardcover catalogue is available in the Mint Museum Shops for $49.95.
Reflections: Portraits by Beverly McIver
Reflections: Portraits by Beverly McIver, on view through January 6, 2013, celebrates the last decade of work by a North Carolina native artist who is renowned for her expression-filled, emotive canvases that commemorate her life and the lives of those closest to her – in particular, her mother Ethel, who passed away in 2004, and her sister, Renee, who is mentally disabled.
“Beverly McIver’s vibrant colors and expressive brushstrokes give voice to matters of identity and personal integrity. Having left the security of a tenured faculty position to honor a promise made to her terminally-ill mother to care for her disabled sister, Renee, McIver tracks the complex emotions of despair, hope and resiliency,” said Curator Carla Hanzal. “This is a powerful show that speaks to difficult choices made by contemporary families.”
McIver is a significant presence in contemporary American art, examining racial, gender and social identities through her experiences as an African-American female artist. Her family history allowed her to contemplate and illustrate complicated emotions that arrive from depression, frustration, compassion, and joy. “All of my portraits are self-portraits,” McIver has said. “I use the faces of others who reflect my most inner being.”
McIver’s 2002 work Dora’s Dance is a candidate for acquisition by the Mint through the museum’s “Vote for Art” project, which allows museum visitors to cast ballots for their favorites from among six works of art. The winning work will be announced at the museum’s Ballot Ball on November 9.
A documentary about McIver, “Raising Renee,” will screen at the Mint for FREE on Tuesday, November 20. The artist herself will visit for a FREE discussion on Tuesday, November 27. For more details on these and other events, visit www.mintmuseum.org/happenings.
Reflections: Portraits by Beverly McIver is organized by the North Carolina Museum of Art. This exhibition is made possible, in part, by the North Carolina Department of Cultural Resources; the North Carolina Museum of Art Foundation, Inc.; and the William R. Kenan Jr. Endowment for Educational Exhibitions. An illustrated softcover catalogue is available in the Mint Museum Shops for $15.
ABOUT THE MINT MUSEUM
As the oldest art museum in North Carolina, with one of the largest collections in the Southeast, The Mint Museum offers its visitors inspiring and transformative experiences through art from around the world via innovative collections, groundbreaking exhibitions, and riveting educational programs. The Mint Museum is a non-profit, visual arts institution comprised of two dynamic facilities: Mint Museum Uptown and Mint Museum Randolph.
Located in what was the original branch of the United States Mint, Mint Museum Randolph opened in 1936 in Charlotte’s Eastover neighborhood as the state’s first art museum. Today, in a beautiful park setting, intimate galleries invite visitors to engage with the art of the ancient Americas, ceramics and decorative arts, fashion, European and African art, among other collections. Resources include a reference library with over 18,000 volumes, a theater featuring lectures and performances, and a museum shop offering merchandise that complements both the permanent collection and special exhibitions.Mint Museum Uptown houses the internationally renowned Craft + Design collection, as well as outstanding collections of American, contemporary, and European art. Designed by Machado and Silvetti Associates of Boston, the five-story, 145,000-square-foot facility combines inspiring architecture with cutting-edge exhibitions to provide visitors with unparalleled educational and cultural experiences. Located in the heart of Charlotte’s burgeoning center city, Mint Museum Uptown is an integral part of the Levine Center for the Arts, a cultural campus that includes the Bechtler Museum of Modern Art, the Harvey B. Gantt Center for African-American Arts and Culture, the Knight Theater, and the Duke Energy Center. Mint Museum Uptown also features a wide range of visitor amenities, including the 240-seat James B. Duke Auditorium, the Lewis Family Gallery, art studios, a restaurant, and a museum shop. For more information, visit the NEW mintmuseum.org. 
“The Mint is pleased to continue offering Charlotte audiences a range of exhibitions celebrating art that is beautiful, inspiring, and historically significant,” said Dr. Kathleen V. Jameson, President & CEO of the Mint. “We look forward to our visitors engaging with these works and being transformed in ways that transcend the walls of our museum.”
The Weir Family, 1820-1920: Expanding the Traditions of American Art
The Weir Family, 1820-1920: Expanding the Traditions of American Art, organized by the Brigham Young University Museum of Art and on view through January 20, 2013, is the first major exhibition to collectively examine the paintings of American artists Robert Walter Weir and his two sons, John Ferguson Weir and Julian Alden Weir, and in doing so it traces the trajectory of American art across the 19th century and into the 20th.
“I am delighted to be able to bring such an important exhibition to the Mint,” said Jonathan Stuhlman, the Mint’s curator of American art. “This exhibition traces almost the entire history of American painting in the nineteenth century through the lens of a single family, and does so with beautifully-executed paintings containing engaging subject matter.”
Robert Weir was one of the first American artists to study in Italy, working there from 1824 until 1827. Upon his return to America, he became an associate at the recently-founded National Academy in New York in 1829 and, a few years later, an instructor at the United States Military Academy in West Point. He was renowned for his talent as a portraitist and a history painter and painted one of the murals in the Capitol rotunda in Washington, D.C. Robert’s first son, John, trained with his father and in Europe. He then taught at Yale University for 44 years and established the first academic art program at a university in the United States. John’s younger brother, Julian, was educated at the École des Beaux Arts in Paris from 1873 until 1877 and became one of the country’s leading Impressionist artists.
Mint members have the opportunity to preview the exhibition at a members-only First Look Friday on October 19 beginning at 6:30 p.m. The Mint will offer a number of lectures and other special events during the run of the exhibition, beginning with a Sunday Fun Day this Sunday, October 21 from 1-4 p.m. with activities celebrating the exhibition (FREE for children under 18; half-price admission for adults). On Tuesday October 30, David Park Curry, the Senior Curator of Decorative Arts, American painting and Sculpture at the Baltimore Art Museums, will visit for a FREE discussion of the life and career of James McNeill Whistler, who studied under Robert Walter Weir. A curator’s tour with Stuhlman will be November 14 at noon and is free after museum admission. A FREE concert featuring local handbell choirs, celebrating the 1866 painting The Christmas Bell by John Ferguson Weir and other holiday-themed works in the exhibition, will be December 18. And a FREE ArtFusion event with a lecture and other activities will be held January 15. For more information on these and other events, visit www.mintmuseum.org/happenings.
The Weir Family, 1820-1920: Expanding the Traditions of American Art is organized by Weir expert Marian Wardle for the Brigham Young University Museum of Art. It is made possible through the generous support of the National Endowment for the Arts and foundation sponsor, the Henry Luce Foundation. Additional assistance has been provided by Jack and Mary Lois Wheatley and the Milton A. and Gloria G. Barlow Foundation. Presentation in Charlotte of The Weir Family is generously made possible by McColl Brothers Lockwood and McColl Partners, and the Mint Museum Auxiliary. A fully-illustrated hardcover catalogue is available in the Mint Museum Shops for $49.95.
Reflections: Portraits by Beverly McIver
Reflections: Portraits by Beverly McIver, on view through January 6, 2013, celebrates the last decade of work by a North Carolina native artist who is renowned for her expression-filled, emotive canvases that commemorate her life and the lives of those closest to her – in particular, her mother Ethel, who passed away in 2004, and her sister, Renee, who is mentally disabled.
“Beverly McIver’s vibrant colors and expressive brushstrokes give voice to matters of identity and personal integrity. Having left the security of a tenured faculty position to honor a promise made to her terminally-ill mother to care for her disabled sister, Renee, McIver tracks the complex emotions of despair, hope and resiliency,” said Curator Carla Hanzal. “This is a powerful show that speaks to difficult choices made by contemporary families.”
McIver is a significant presence in contemporary American art, examining racial, gender and social identities through her experiences as an African-American female artist. Her family history allowed her to contemplate and illustrate complicated emotions that arrive from depression, frustration, compassion, and joy. “All of my portraits are self-portraits,” McIver has said. “I use the faces of others who reflect my most inner being.”
McIver’s 2002 work Dora’s Dance is a candidate for acquisition by the Mint through the museum’s “Vote for Art” project, which allows museum visitors to cast ballots for their favorites from among six works of art. The winning work will be announced at the museum’s Ballot Ball on November 9.
A documentary about McIver, “Raising Renee,” will screen at the Mint for FREE on Tuesday, November 20. The artist herself will visit for a FREE discussion on Tuesday, November 27. For more details on these and other events, visit www.mintmuseum.org/happenings.
Reflections: Portraits by Beverly McIver is organized by the North Carolina Museum of Art. This exhibition is made possible, in part, by the North Carolina Department of Cultural Resources; the North Carolina Museum of Art Foundation, Inc.; and the William R. Kenan Jr. Endowment for Educational Exhibitions. An illustrated softcover catalogue is available in the Mint Museum Shops for $15.
ABOUT THE MINT MUSEUM
As the oldest art museum in North Carolina, with one of the largest collections in the Southeast, The Mint Museum offers its visitors inspiring and transformative experiences through art from around the world via innovative collections, groundbreaking exhibitions, and riveting educational programs. The Mint Museum is a non-profit, visual arts institution comprised of two dynamic facilities: Mint Museum Uptown and Mint Museum Randolph.
Located in what was the original branch of the United States Mint, Mint Museum Randolph opened in 1936 in Charlotte’s Eastover neighborhood as the state’s first art museum. Today, in a beautiful park setting, intimate galleries invite visitors to engage with the art of the ancient Americas, ceramics and decorative arts, fashion, European and African art, among other collections. Resources include a reference library with over 18,000 volumes, a theater featuring lectures and performances, and a museum shop offering merchandise that complements both the permanent collection and special exhibitions.Mint Museum Uptown houses the internationally renowned Craft + Design collection, as well as outstanding collections of American, contemporary, and European art. Designed by Machado and Silvetti Associates of Boston, the five-story, 145,000-square-foot facility combines inspiring architecture with cutting-edge exhibitions to provide visitors with unparalleled educational and cultural experiences. Located in the heart of Charlotte’s burgeoning center city, Mint Museum Uptown is an integral part of the Levine Center for the Arts, a cultural campus that includes the Bechtler Museum of Modern Art, the Harvey B. Gantt Center for African-American Arts and Culture, the Knight Theater, and the Duke Energy Center. Mint Museum Uptown also features a wide range of visitor amenities, including the 240-seat James B. Duke Auditorium, the Lewis Family Gallery, art studios, a restaurant, and a museum shop. For more information, visit the NEW mintmuseum.org.
